If you have any complaints which you'd like to make, I'd be more than happy to send you the appropriate forms.
Monday, February 02, 2026
Guns: Rangemaster Defensive Shotgun with Tom Givens - class review and report
No matter how much experience with guns you have, it's good to stay in shape. That's why I took a one-day introductory Defensive Shotgun course with Tom Givens's company, Rangemaster, to polish up my skills with the old Tacticool Remington 870 Wingmaster. Note that the course is aimed at using a shotgun for home defense, and not for law enforcement or military purposes.
As most firearms classes do, Tom started with lecture. He talked about the history of the shotgun, the types of shotguns and ammo typically used for self-defense, and the proper stance and technique needed for firing the darn thing. Every student got a course packet and the lecture was in a comfortable, unintimidating classroom setting with a big TV screen for a visual aid.
After a quick lunch, we moved to the range for the entire afternoon. Tom took us from the absolute basics (safely loading and shooting one shell, step by step) to drills involving multiple shots and loading under stress. This was still a beginner-level one-day course, though, so we didn't do anything like slug changeovers, use cover, or move while shooting.
The class went through about 100 rounds of birdshot and 20 rounds of buckshot (the latter used mostly for a patterning test at various distances). The gentleman I was shooting with was pretty experienced, so our target was one ragged hole at the end of the drills (not counting the holes made by the wads).
Bottom line - if you want to use a shotgun for home defense and you've never received formal instruction in its use, you should probably sign up for a class with a reputable instructor like Tom Givens. And even if you've used a shotgun for decades, it's always good to go back to the fundamentals once in awhile.
I'm from a family of cinephiles, so I've seen quite a few of the movies nominated for this year's Academy Awards. While nothing truly stood head-and-shoulders above the crowd this year, there were some decent films and performances that you may want to check out:
Blue Moon
The latest collaboration between Richard Linklater and Ethan Hawke, Blue Moon is a slice-of-life biopic following lyricist Lorenz Hart, the former songwriting colleague of Richard Rodgers. The whole movie takes place on the opening night of Oklahoma!, Rodgers' first collaboration with new partner Oscar Hammerstein, with Hart being the odd man out. Hawke turns in a career-best performance as Hart, playing him as a complex bon vivant whose closeted homosexuality and tragic alcoholism help to humanize an irascible character at a low point in life. Rating: 7/10
Marty Supreme
The Safdie brothers released dueling movies this year, the first since they ended their directing partnership in 2024. Benny's film, The Smashing Machine, bombed at the box office and was largely shut out at the Oscars, while Josh's movie, Marty Supreme, got nine nominations, including Best Actor for Timothée Chalamet. Chalamet plays Marty, a semiprofessional table tennis player who dreams of winning the world championship in Tokyo - the only problem is getting there. Marty Supreme features the same sort of anxiety-filled hustling and brinkmanship as 2019's Uncut Gems, but some absurd plot points and an overlong 150-minute runtime drag the film down. Rating: 7/10
Sentimental Value (Affeksjonsverdi)
Norway's entry in this year's race for Best International Film is a gentle family drama from Joachim Trier. Stellan Skarsgård stars as a famous film director coming to terms with his two estranged daughters, played by Renate Reinsve and Inga Ibsdotter Lilleaas, after the death of their mother. This is one of those movies that has "Oscar Bait" written all over it - a respected veteran actor looking for his first Oscar, a respected director looking for his first Oscar, and a plot about the importance of filmmaking. I just wish it were a little more tightly edited. Rating: 7/10
Song Sung Blue
The Kate Hudson-aissance is upon us, with her luminous comeback performance in Song Sung Blue opposite Hugh Jackman. Based on the real-life escapades of Milwaukee husband-and-wife Neil Diamond tribute band "Lightning and Thunder" (Mike and Claire Sardina), this is a "feel-good" movie that trades emotional complexity for (pretty good) musical performances. But Hudson channels all the charm she brought to the screen as Penny Lane in 2000's Almost Famous, and you can't help but fall in love. She has a decent shot at Best Actress this year. Rating: 7/10
Roguelite "bullet heaven" games were popularized by 2022's mind-numbingly addictive Vampire Survivors, and ever since, indie developers have taken turns putting their own spin on the genre. The latest (and ballsiest) iteration? Ball x Pit, a Survivors-like from Kenny Sun that blends waves of enemies and power-ups with the block-busting action of Breakout and Arkanoid:
Like most of these games, there's little story to speak of: the city of Ballbylon sank into the earth in a great catastrophe, and you guide adventurers into the giant pit, seeking riches in the ruins. Your only defense against hordes of block-like enemies are the balls launched from your character, which carom around the playfield causing damage along the way. There are dozens of special balls for you to discover - fire, lightning, etc. - which can be evolved and fused to create devastating, screen-clearing combinations.
Ball x Pit is a fun timewaster, especially in portable form on the Switch 2. The gameplay is pretty simple (your only controls are move, aim, and fire) but the wide variety of characters and enemy types spices things up. One character launches balls from the back of the playfield, another uses a giant shield to deflect balls Arkanoid-style, and still another turns Ball x Pit into a turn-based strategy game. My only gripes are that there's not much depth here, and there's a lot of grinding required to get all the characters and levels (including a somewhat tedious city-building minigame that I would have been glad to skip).
I have a shotgun class coming up later this month, so I've been testing out some budget low recoil 00 buckshot options.
While all of the loads cycled fine in my tacticool Remington 870 Wingmaster, none of the patterns were tight enough to be safe past 10-15 yards. Here are some typical patterns from 10 yards for each load:
PMC "One-Shot" Low Velocity Buckshot:
Fiocchi Exacta low recoil buckshot:
Rio Royal Buck low velocity:
I hate to sound like a commercial, but if you own a shotgun and think you might use it for anything beyond across-the-room distances, you need to stoke it with something like Flite Control or Versatite.
The effects have been noticeable and immediate: I've lost weight, ran my fastest 5k and half-marathon times in years, and have slept deeper and longer (I've also mostly quit caffeine, too).
Going from 1-2 drinks a day to 1-2 drinks a week can be an adjustment, but thankfully, there are lots of non-alcoholic options nowadays. While NA wine is still pretty terrible, the NA beers are close enough to the real thing that most casual drinkers (like me) won't mind the difference, especially at a meal or a party.
Common NA beers that I can recommend are Heineken 0.0 (which is what you'll find in most restaurants and bars), Guiness 0, Blue Moon NA, and most of the Athletic and Partake brews. I hate the "hop water" or "hoppy refresher"-type concoctions (too thin and watery), and for similar reasons, I didn't like the beers I've tried from Clausthaler, BrewDog, or CERIA.
If you're embarking on Dry January (or beyond), I wish you the best!
Miscellany: SureFire EDC1-DFT Turbo review - The [C]andela Effect
SureFire has been under assault from Chinese flashlight brands on the low end and boutique American shops on the high end for years now. However, there are still a handful of products SureFire makes that I like better than the competition, like the subject of today's review, the EDC1-DFT Turbo:
The EDC1-DFT Turbo is a handheld everyday carry-sized flashlight that uses a single 18350 USB-rechargeable battery. Its main use is as a "thrower" or self-defense light - pressing the tailcap switch gives you a blistering 95,000 candela beam that can illuminate faraway objects and temporarily disorient people, even in the daytime. The tradeoff is that overall light output (lumens) and runtime are somewhat lower than its competitors.
In a pinch, the EDC1-DFT can use CR123A lithium batteries (that's what the "DF" stands for - "dual fuel"), which might be useful if you are headed "off the grid" or need to store the flashlight for extended periods of time without charging. The head is a bit bulbous, and the light is over twice as expensive as comparable foreign models, but if you need a durable spotlight in your pocket, this is one of the best options out there.
One of the best parts about owning a Tesla is that you receive free over-the-air software updates for the vehicle all the time. Most of these updates are minor (bug fixes, UI tweaks), but every so often major features get added, like rear cross-traffic alerts and adaptive headlights. Tesla usually saves up the biggest changes for the annual holiday update:
This year, the headline feature for the holiday update is the integration of the car's navigation system with Grok, the chatbot of Elon Musk's company xAI. Practically speaking, that means you can give natural language directions to your car ("Navigate to the nearest Walmart, then go to the McDonald's on Belvedere Road") and the system will plot your course automatically. If you add in Tesla's recently updated "Full Self Driving (Supervised)" system to the mix, you can theoretically drive all over the place, including backing in and out of parking spaces, without ever touching the steering wheel - theoretically.
In addition to the practical updates, there are always some gimmicks and fun stuff added, like new video games (this year, it's a SpaceX docking simulator straight out of Interstellar) and an updated "Santa Mode" which replaces the vehicle visualization in the display screen with a Tesla-ized sleigh. It's nothing earth-shattering, but it's better support than you get from most other carmakers.
A Charlie Brown Christmas premiered 60 years ago today on CBS. It was the first TV adaptation of Charles M. Schulz's beloved comic Peanuts, and its popularity spawned a litany of animated specials, merchandising, and an annual balloon in the Macy's Thanksgiving Parade.
The great irony is that A Charlie Brown Christmas was acutely critical of the commercialization of Christmas, and advocated a simpler take on the holiday. Even before cellphones, the Internet, and computers, consumerism at Christmas was already an issue:
For decades, the special was broadcast every year at Christmastime on CBS. In what is a sign of the times, it is now available only on Apple TV+. The climactic scene is a small monologue from Linus, wherein he explains the true meaning of Christmas:
And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid.
And the angel said unto them, Fear not: for, behold, I bring you tidings of great joy, which shall be to all people.
For unto you is born this day in the city of David a Savior, which is Christ the Lord.
The standout song of this holiday season has got to be The Pretty Reckless's cover of "Where Are You Christmas?":
Of course, The Pretty Reckless is fronted by Taylor Momsen, who famously played Cindy Lou Who 25 years ago opposite Jim Carrey in the live-action version of How the Grinch Stole Christmas. The juxtaposition of the young Momsen's voice with her current grunge-y growl would be affecting all on its own simply as a reminder of the passage of time, but when combined with the song's wistful lyrics, it becomes even more poignant ("Where are you, Christmas? / Do you remember / The one you used to know? / I'm not the same one").
Now all we need is for Momsen to do a duet of "Where Are You Christmas?" with the song's co-writer, Mariah Carey, and the circle will be complete...
Brendan Fraser made a comeback for the ages with his Oscar win for The Whale, and he's followed that triumph up with another tender drama, Rental Family, directed by Hikari:
Fraser stars as Phillip, a struggling actor living alone in modern-day Japan. After Phillip gets a call about a mysterious "opportunity," he finds himself at the offices of Rental Family, a company that sends people to play various roles for paying clients. Some jobs might be as simple as being a mourner at a funeral, but Phillip quickly gets roped into two long-term ones - pretending to be the father to a little girl, and playing a journalist interviewing a retired actor facing old age and dementia.
The movie is inspired by real-life for-hire surrogate companies, and there are some nods toward deeper societal issues (such as the stigmatization of mental health problems in Japan), but for the most part, Rental Family is content with being a lightweight feel-good movie. Fraser is mostly the straight man, and you don't learn too much about him (one character even calls him the "token white guy"), while the Japanese supporting actors around him steal the show. Still, if you're in the mood for a sweet dramedy with some awesome shots of the Japanese countryside, you could do a lot worse.